Korean horror at its best, Exhuma blends tradition with terror | The Haunted Column

Still from 'Exhuma'. Photo: IMDb

Korean cinema has always been known for delivering top-tier horror, and with films like The Wailing and Train to Busan, it's clear they know how to keep audiences on edge. Enter Exhuma, the latest addition to this line-up, and it doesn’t disappoint. In fact, it shows once again how Korean filmmakers can take horror beyond the usual frights and make it truly memorable.

Exhuma might look like your standard ghost story, but it stands out by digging into cultural themes that make the horror feel more personal. The movie is steeped in traditional Korean beliefs about death and spirits, which gives the supernatural elements a deeper, more unsettling edge. It’s not just about ghosts popping out to scare you; it’s about what those spirits mean in a cultural context, tapping into fears that go beyond the surface. This exploration of cultural heritage enriches the narrative, allowing viewers to connect with the material on a level that is both intellectual and emotional.

One of the standout features of Exhuma is how it builds tension. Instead of relying on just jump scares, the film uses atmosphere and silence to create a sense of unease that sticks with you. The cinematography plays a crucial role here, employing long takes and haunting visuals that linger in the mind long after the credits roll. You’re not bombarded with constant scares; the movie takes its time, letting the fear slowly creep up on you. This gradual build-up is particularly effective in establishing a pervasive sense of dread that feels almost suffocating. By the time things really kick off, you’re already on the edge of your seat, gripped by the mounting tension.

The characters also play a significant role in why Exhuma works so well. They’re not just there to be terrorized, they’re dealing with real, relatable struggles like grief, guilt, and the pressure of family expectations. The protagonist, in particular, embodies the struggles of modern life juxtaposed with the weight of ancestral traditions. This makes the horror feel grounded, and when the supernatural elements come into play, it hits even harder because you genuinely care about what happens to them. The emotional stakes are high, and the characters’ vulnerabilities resonate with the audience, making the horror feel all the more impactful.

Moreover, Exhuma utilizes its setting effectively to amplify its themes. The film is set against the backdrop of a rural Korean village, rich with history and folklore. The landscape itself becomes a character, steeped in mystery and foreboding. Locations like dilapidated houses and mist-covered fields create a visual tapestry that enhances the storytelling.

Another striking aspect of Exhuma is its commentary on how the past can haunt us in ways we might not expect. The film cleverly intertwines personal and collective histories, suggesting that the burdens of family legacies can manifest in haunting ways. This thematic depth is reminiscent of the best works in the genre, like The Wailing, which explores similar ideas of ancestral sins and the consequences of unacknowledged grief.

In addition to its cultural and emotional layers, Exhuma excels in its technical execution. The sound design is particularly noteworthy, using silence and ambient sounds to heighten tension. The score, composed of eerie melodies and unsettling soundscapes, complements the visual storytelling and amplifies the emotional weight of key scenes.

Exhuma is more than just another horror flick. It’s a thoughtful, chilling look at how the past can haunt us in unexpected ways. Like The Wailing and Train to Busan, it takes the horror genre and infuses it with cultural depth, leaving you thinking about it long after the movie’s over. If you're looking for a horror film that’s smart, scary, and full of atmosphere, Exhuma should definitely be on your list. Its blend of personal struggles, cultural themes, and masterful storytelling positions it as a standout in the ever-evolving landscape of Korean horror cinema.

The comments posted here/below/in the given space are not on behalf of Onmanorama. The person posting the comment will be in sole ownership of its responsibility. According to the central government's IT rules, obscene or offensive statement made against a person, religion, community or nation is a punishable offense, and legal action would be taken against people who indulge in such activities.