'Dhak Dhak': A biker film with heart, humour | Movie Review
Tarun Dudeja's 'Dhak, Dhak' is an enjoyable watch with its mix of adventure, humour, and strong performances.
Tarun Dudeja's 'Dhak, Dhak' is an enjoyable watch with its mix of adventure, humour, and strong performances.
Tarun Dudeja's 'Dhak, Dhak' is an enjoyable watch with its mix of adventure, humour, and strong performances.
Embarking on a journey to Khardung La on Royal Enfield Bullets is a promise of adventure in itself. Yet, director Tarun Dudeja, in his debut film, takes it a step further by forming an all-women biker gang. This ride turns into an unforgettable pilgrimage with the charming and evergreen Ratna Pathak Shah as Mahi, Dia Mirza as Uzma, Fatima Sana Shaikh as Sky, and Sanjana Sanghi as Manjari.
Tarun, collaborating with co-writer Parijat Joshi, assembles this group of riders from the bustling streets of Delhi. It's a world where the trials and tribulations of Mahi, Uzma, Sky, and Manjari all converge on a single theme - the experience of being women in a prejudiced and predatory patriarchal society. Credit is due to the writers for crafting a seamless script that offers just the right, relatable glimpses into the protagonists' pasts, even as the narrative takes a non-linear route in the first half. However, as the altitude rises in the second half, the journey grows a bit rough, and the storytelling becomes somewhat patchy and preachy. Some of the philosophical dialogues, including those from Poonam Gurung's Kung-fu nun at the Buddhist monastery, seemed forced.
It was the performances of Tarun's riders, who mature into a professional biker pack by the third act of the movie, and the cinematography of Sreechith Vijayan Damodar that steer the film towards its thrilling climax. While some of the twists and turns in the plot were predictable and could have been more authentic, the gang's triumphant arrival at Khardung La, overcoming the natural obstacles in their life and path, seemed adequate for a fitting finale.
Bike enthusiasts and Bulleteers would wish for more scenes exploring the special bond between the riders and their beloved Bullets. Besides Uzma, the resourceful 'jugaad on-road mechanic' of the group, introducing a young girl to the rhythm of a Bullet's 'Dhak Dhak', and Manjari's refusal to part with her Himalayan at the ashram, the machines are often depicted merely as a means of transportation.
In conclusion, 'Dhak Dhak' is an enjoyable watch, particularly for families. With its mix of adventure, humour, and strong performances, it offers a heartwarming and entertaining journey that will leave you with a smile and a desire for your adventure.